Although this has been a most peculiar year for everyone, here we are, at Christmas once again, and we’ve managed to get through it all! I don’t know about you, but I have found my stitching to be a great help through all the unsettling times during this last few months. It’s just really relaxing to be able to do some stitching every day, when everything else is going crazy!
Thank you to all of you who have been following my blog during the year – I do love writing it, and of course doing all the stitching 🙂
Have a great Christmas, however you celebrate it.
The back panel of the Gingerbread Stitching House by Victoria Sampler that I am stitching has a hardanger window, which is then backed with contrasting fabric to give the impression of light showing from inside the building. I hadn’t ever done hardanger before, as it doesn’t really appeal to me as a technique. For a while, I considered altering the design and just working it all in cross stitch but then I thought I’d have a go anyway, and was surprisingly pleased with the result.
The roof is stitched all in white, using cross stitch and various counted thread stitches. This was pretty when it was finished, but BORING BORING BORING to stitch. I remembered, part way through, that I don’t like stitching with white. Pretty stupid to decide to stitch a design that features lots of decorative ‘snow’, then, really, wasn’t it?!
I also realised that, as I’d substituted an Anchor stranded cotton for the Kreinik Mori thread that was suggested in the chart pack, the whites I was using weren’t all the same shade of white, and in some types of lighting, that notices. DMC Perle 12 and 8 White are not the same as Anchor stranded cotton number 01 White. Oh well. All of that is disguised somewhat by the beads and buttons that are stitched on last, as they grab the attention much more, fortunately.