This is another of the Sufi-inspired designs I have been stitching during the past winter. I made this one as a gift for a friend, as he was going to take his Sufi Initiation, and I wanted to make him a present.
The design is the emblem of the Sufi Ruhaniat International spiritual movement that I belong to. The emblem signifies the idea that when the heart is responsive to the Divine Spark, it becomes enlightened.
The box is black satin, and I bought it from Viking Loom of York. It measures about 3 1/2 inches by 2 by 2 high. The fabric I stitched on is black silk Dupion (from my stash – can’t remember where I got that from!). The red kid leather heart ‘fabric’ I bought from Golden Hinde, a really good online goldwork supplier, who sell lots of colours of fine kid leather, in small pieces. I padded the heart shape first with a smaller heart cut from felt, then stab stitched the kid leather in place over the top.
To start with, I traced the design onto tissue paper and transferred it to the fabric using sewing thread in a gold colour, then ripped off the tissue, leaving the design in running stitches clearly showing. I unpicked the sewing thread as I did the goldwork – any tufts of thread that I omitted to get out didn’t show, as the yellow almost matched the gold thread colour 🙂
The wings are stitched in chain stitches, with the outer row having the addition of a straight stitch added to the centre space after the whole row has been completed. It took a while to get both left and right sides to have equal numbers of ‘feathers’, but I’ve made lots of these boxes now, and it does get easier with practice!
The finished stitching was laced onto the padded card former that comes with the box, and then the stitching was glued into the lid with PVA glue.
I’ll post more examples of this design later, as using different colourways makes a lot of difference to the impact of this design – but this is one of the boldest!
Here’s a tiny ‘doll’s house sized’ sampler that I made for a friend of mine, for her birthday. It’s not that clear from the photo how small it is – it’s about two and a half inches across. I stitched it with one strand of Anchor stranded cotton, on 32 count evenweave fabric. The phrase ‘Tot de Ene’ is in Dutch (because my friend is Dutch!), and it means ‘Towards the One’. She is a Universal Sufi (same as me), and on this spiritual path, we often say this phrase, as it’s the beginning of the Sufi Invocation:
Towards the One,
the perfection of love, harmony and beauty,
the only Being,
united with all the illuminated souls
who form the embodiment of the Master,
the Spirit of guidance.
The heart with wings is a Sufi symbol which signifies the idea that when the heart is responsive to the light of Sacred Unity / the Divine / God, it is liberated.
A few years ago, I used to attend a Unitarian Chapel near where I live. For a couple of years, I got really ‘into’ the Chapel, and got involved in various groups, Committees, and so on. The Chapel was in a modern building, and looked quite bare inside – quite like a classroom, really – with chairs in rows rather than pews, and only a couple of framed prints on the walls.
So, I volunteered to make an embroidered wallhanging for the Chapel. I discussed what might be suitable with the Minister, then searched online for a suitable piece of text.
Unitarians are not just Christians who don’t believe in the Trinity, these days – Unitariansim has broadened out during the past fifty or so years to include people ‘of all faiths and none’, as the blurb on the leaflets goes, so I had a very wide range of texts to choose from for the wallhanging. I settled on part of a piece of poetry from a Buddhist monk and philosopher called Dogen Zenji, who lived from 1200 to 1251. It seemed to exemplify what Unitarians of all types believe:
Do not listen to the ideas of others, but learn to listen to the voice within yourself.
It seemed ideal.
So, I went shopping for some linen for the embroidery, and some apple green velvet for the backing fabric. I raided my (huge!!) stash of Appleton’s crewel wool and Anchor stranded cotton for the threads to stitch the wallhanging with, and then set to working out the design.
I wanted the piece to have a kind of Jacobean feel – like Tree of Life wallhangings from country houses, only more delicate. I wanted it to be interesting to stitch, as I knew it would take a long time and I didn’t want to be bored to death stitching it, but it also needed to have impact from a distance, so the blocks of colour needed to be quite bold.
I worked the lettering first, as I wasn’t sure if the technique I had chosen would work, so if it was going to fail, I wanted to know that before spending weeks on doing all the rest of the embroidery! I used a padding technique described in Susan O’Connor’s wonderful book ‘Monograms – the Art of Embroidered Letters’ (which, annoyingly, was only in print for about 18 months, and is now hard to find, but if you get the chance, then buy it, as it’s great). The technique involved working a split stitch outline first around the letter, then working loose stem stitches in rows thickly all over the inner area, at right angles to the direction that the final close satin stitches would be placed. I used two strands of Anchor stranded cotton for the lettering, and each letter took about an hour.
The floral swags above and below the lettering were great fun to do. I only vaguely planned the colour scheme before I started stitching, so I surrounded myself with embroidery stitch manuals as I worked, choosing different stitches all the time.
When the stitching was finished, I pressed it gently on the reverse side, over a thickly padded ironing board, then attached the embroidered piece to the green velvet. I made tabs to hang the wallhanging from, so that a wooden pole could be slotted through later.
The whole piece took about a year to do.
But here’s the problem: six months after I gave the piece to the Chapel, I stopped attending services there, as I felt that, spiritually, I had outgrown Unitarianism, and, due also to other issues around the Chapel, felt I needed to move on. But the wallhanging stayed there. Part of me wanted to take the wallhanging back (as my leaving wasn’t done under the most pleasant of circumstances), but I knew I’d given it willingly at the time, so it seemed unfair to demand it back. I just hope that the people who may see it, get something out of it. Recently, I’ve heard that the Chapel may close, as the congregation has dropped to less than ten, and the Minister has moved on with no permanent replacement in sight.
I’ve ‘lost’ embroideries of mine before, for various reasons, and each time it hurts! I think this may be a lesson in trying to not be attached to things, but it’s not easy!
I have recently returned from a Sufi Ruhaniat summer school in Germany, which was amazing – very uplifting.
As I had to travel from England, I was a bit limited in what I could take, so I had to leave my meditation stool behind. Fortunately, when I got there, there were a lot of meditation cushions of all shapes and styles available for the use of the students, and this one really caught my eye.
It’s worked almost completely in satin stitch of a really high quality, with a little back stitch. The colours are incredibly vibrant. The cushion is about 12 inches diameter, and about 8 inches deep.
The motif in the centre is the ‘Om’ symbol. In Hinduism, it represents the unmanifest, the essence of the entire universe.